Patriarchy discourse of Zeki Demirkubuz cinema semiology study of "Nausea" film

Inourcountry; after a longinterval in 1990 s, cinemastartedtoredevelop. For the fist time; audiencemeet the Director'sfilm (cinema) Art movie is reallydifferentfromYeşilçam moviewith is perspective as concept. Thisperiod, called as 'Modern Turkish Cinema' and it'snewvisualstyle"and narrativelanguagearehandledwith the concepts of "New, independent, auteur and minimal". RegardingTurkish Cinema history; the subject of ourresarch, Zeki Demirkubuz accepted as 'auteur', regarding his rewards at home and abroad, is identifiedwith the independent Cinema, Zeki Demirkubuz is one of the themostimportantrepresentatives of thiskind of Cinema.Zeki Demirkubuz getshighacceleration in Cinema and he changes the impression of Turkish Cinema abroad in positivewaywith his simplenarration, thisrealistic film language and his ownstyle (Demirkubuz's Style)interwiningover the film whileanalysing the life, Cinema, movies of the director and individualityoccour's the main themesboth of Demirkubuz's Cinema and Modern Cinema; NAUSEA, as Demirkubuz said, "mymostindividualmovie"itssymbols and meaning of theresymbolsbeyond the vision,aregoingto be consideredfrom the perspective of semiotics in the context of feminist theroy.