A grammer and stylistic study on Erkin Vahidov's
Is this your thesis?
This record came from a bulk archive import. If it’s yours, link it to your profile.
Abstract (EN)
Erkin Vâhidov has a special place in Uzbek literature with his ?IstanbulFÃ¥ciası? named drama, ?Ruhlar İsyÃ¥nı? named philosophical epic, written withrealistic thoughts, ?Nidâ?, in which he mentioned disasters, experienced duringwar periods, his ?Tirik SayyÃ¥ralar?, ?Şarkiy KirgÃ¥k? and ?Yahşidir Aççik Hakikat?named works of art, formed with citizenship spirit, besides ?YÃ¥şlik Devâni?,composed of his poems, in which he continues the traditions of classical Uzbekpoetry. In addition, there are poem translations, made by him on various dates,besides his ?Ã
ltin DevÃ¥r? comedy and ?DÃ¥nişkişlÃ¥k Latifaları? series, composedof his comic poems. Poet, had translated numerous poems from Puşkin, Ebû Aliİbn Sina, A. Blok, A. Tvardovski, A. Malişko, Bûdil, B. Gyozel, F. Schiller, G.Emin, Goethe, Hâfız- ı Şûrazû, M. Svetlov, M. Gâlib, Muhammed İkbâl, M.Maçavariani, R. Hamzatov, S. Yesenin, Sil?va Kaputikyan and Ülfet. ErkinVÃ¥hidov had laid his alignment, citizenship feelings and opinions related withliteral issues within his ?ŞÃ¥iru Şeru Şuur? named work of art and ?İztirÃ¥b? namedwork of art. He, during his education period (1955-1960) in Tashkent StateUniversity, had attended to the class of well-known critics, scientists of letters,such as F. Karimov, M. Mallayev, S. Dâlimov, M. Koşçânov, F. Sulaymânova, Â.Şarafuddinov and L. Kayumov. Again, Erkin Vâhidov, during the same period,had participated to the chats of Mirtemir and Gayratû at Republic AuthorsAssociation and some literal foundations.Degree of his education, his character, his feeling for belonging to aNation, his conscience and his beliefs had an important role as much as theconditions, under which his society lives, political developments of those days,literal environment and his educational environment during formation of his styleand establish his works of art under this frame. Besides, artist?s unique agoniesand experienced difficulties are also the issues, which affect his way. In thisconcept, in the artistic life of Erkin Vâhidov and his poems, written till 1950s,there are attempts to describe the natural panorama with a childish point of view.It is seen that Erkin Vâhidov, passed 1960s with his work of art, named ?YÃ¥şlikDevÃ¥ni?, had primarily written poems in parallel to the classical poetry traditionduring this period, to which socialism had governed. In his poems from thatperiod, while he was using love motifs in one hand, he had aided traditionalpoetry types, especially gazel, to revitalize. Poet fully advocates ancient gazel,which mentions love words for centuries, together with the eternal, natural,priceless feeling, love, which flows throughout the veins of human, and poeticgazel had been advocated not only by its poetic format meaning but also love asa symbol of indefinite humane feelings. During these periods, advocating aruzand gazel required a lot of courage. Vâhidov had experienced new methods onformat establishment of gazels with his poems within ?YÃ¥şlik DevÃ¥ni?, and alsomaintained the preservation of both works of arts of artists, such as Nevâû,Bâbür, Meşreb and Fuzulû, and poets, themselves in minds in a vital form.During the mid 1950s and begging of 1960s, which is a period when anew spirit and new thoughts did not established within the society, he hadcommenced to write the issues of internal world of human and issues, which aredeemed real by him, within his poems. Poet, who sore due to what happened tohis nation, had complaint from the unfair order of the period, stability of thesociety and slaves, who prefer absolute obedience within his poems, which areformed with a metaphoric harmony, and written rebellious poems against thedespotism, which was governing his country.Poetical searches of the poet, which realized the problems of all sciencein him, had been seen during 1970s. This issue, of which first sample had beenput forward with ?YokalgÃ¥n Şer?, can also be seen in ?Tirik SayyÃ¥ralar? and?Istanbul FÃ¥ciası? epics. Approaching to real life, seeing the problems of time,location and human, searching civil meanings within the findings are thecharacteristics of the best epics and poems of that period. In the poems of ErkinVâhidov, especially during 1970s and 1980s, inclination to reality, hearsays andstory method are seen. In his poems, which are written during this period, hehad been trying to analyze the human?s life, uncertainty of destiny and secrets,composing the mental world of the human.Vâhidov, who had tried to unite his time and ancient times within Uzbekpoetry in connection with both his innovations, tried to be made on the poeticformats, and also the line, followed by him in the concept, had written poemswith the effort and determination of mentioning the difficulties, experienced byhis nation.
Author
Veli Savaş Yelok
Institution
How to Cite
Veli Savaş Yelok (Doctorate thesis). A grammer and stylistic study on Erkin Vahidov's, 2007, Gazi University.
Keywords
License
Tüm Hakları Saklıdır
This work is shared under the specified license terms.
More theses from Gazi University
- Occupational accident analysis and modelling in oil and gas drilling sector Turkey(2021)
- XVI. yüzyıl Anadolu'sunda Oğuzların Karkın Boyu(2004)
- Experimental development of the interfacial bond-slip model between textile reinforced mortar strips and masonry walls(2025)
- Sharing of real life geometry samples via a social learning environment: A case study(2021)
- Evaluatıon of calcium hydroxide removal efficiency of two different irrigation activation techniques from artificial internal resorption cavities prepared at different root levels(2021)
- The use of verbal memory in the context of sustainability and power at the museums of Turk(2010)
