The relationship between figure, place and motif on the surface of plastic examination

This thesis, titled" Examining the relationship between figure, space and Motif from a plastic perspective on the surface", includes both theoretical and a number of applications in line with the concepts identified as problems. In the scope of the thesis, the historical processes of concepts (figure, space, motif), their importance and their place in the art of painting from past to present are discussed. Plastic values such as perspective, three dimensions, movement, rhythm, ratio-ratio, composition, emphasis, color were used as a form of analytical technical expression in order to analyze the plastic values of the painting studies of the researcher in the scope of the research. In this research, the researcher made use of the figure, space and motif trilogy and analyzed and evaluated using specific themes and techniques. This research consists of four main sections and each section is formed with different sub-headings within itself. In the first section, Problem situation, Problem Statement, sub-problems, purpose of research, importance of research, counts, method of research, Basic Concepts/definitions and limitations of research are included. In the second section, the use of figures, places and motifs in the history of painting created the main title. The historical processes of the figure, place and motif, their importance and their place in the art of painting from past to present are discussed. In the third part, the process of the formation of the paintings created within the scope of the thesis, the internal process and the analysis of the works are included. The fourth section contains the results for figures, places and motifs and the results for the paintings created within the scope of the thesis. The research was done by qualitative research method, a total of 12 pictures of the researcher were made and analyzed. Key Words: Figure, Interior, Motif, Art, Plastic