Expression in figurative sculptur

Theexistence of humanbeings has beenshapedbyartisticactivism, fromcavemuralstotoday. Thisprocessstartedwiththetransitiontosettled life andcontinueduntiltoday. Eachperiod has occurred in creativeprocessesthatemergedwithinitsownculturalandsocialconditions. Theseartisticactionswereformedwithinthesubjectiveconditions of eachperiod. Whensettled life began, theymadehumanfiguresforhunting, sheltering, andlaterforworshipandmagic, and in theearlyperiods, theymadefiguresimitatingnatureandhumans in a primitivestyle. Over time, manystageshavebeenpassedandgreatdevelopmentshavebeenmadeuntilthe modern age. FromtheMiddleAgestothebeginning of the modern Age, thehumanfigurereachedthepeak of ideal anatomicalimitation, andthesubject of religioncontinuedtodominateeffectivelyuntilthis time. Untilnow, art has beenfinancedbyreligionsandgovernments. That'swhytheartistswhoproducehave not cometothefore. DuringtheRenaissanceperiod, that is, in the14thand17thcenturies, the artist tooktheinitiativeandexhibited an individualattitudeoutside of imitationandreligiousconcerns, putting an endtothehegemony of classical art. Thepioneer of thisrevolutionaryattitude in sculpture is AugusteRodin. Aftertheindustrialrevolution, theformation of art collectingtogetherwiththeclassdomination of thebourgeoisie; art productwith a capitalistapproachto art andartists; has turned it into a kind of commercialcommodity. Inthe modern era, the artist, as a freeindividual, has had theopportunitytoreflect his personalattitudeinto art, his emotionalworldand his politicalandartisticperspectivetowards life in his work. Throughouthumanhistory, theartisticproduct has formedthememory of itsperiod in every sense and has served as a veryseriousdocumentto be passed on tothenextgenerations. Whenwelook at theartisticproductionprocessfromancienttimestothepresentday, weclearlyseethattheprimaryconcern of the artist is theefforttoexpresshimself. Keywords: Statue, Expression, Art