The image of shadow in contemporary painting in relation to space

This thesis, titled "The Image of Shadow in Contemporary Painting in Relation to Space", investigates how the shadow has evolved from a mere physical phenomenon into a multi-layered artistic image with philosophical, psychological, cultural, and conceptual dimensions. Initially regarded as a technical element in art history, the image of shadow has deepened in meaning through diverse artistic and intellectual approaches. From prehistoric cave paintings to the fluid and experimental practices of contemporary art, the shadow has transformed into a narrative, symbolic, and metaphorical extension of the artist's subjective world. Moving beyond the physical definition of shadow, the study explores its historical trajectory, various layers of meaning, and the approaches of contemporary painters who engage with shadow as a central element. The interplay between shadow and space reveals shadow not only as a visual form, but as a trace, a dimension, and a conceptual tool that oscillates between presence and absence, memory and perception. This transformation grants the shadow a temporal, sensory, and intellectual presence that establishes a psychological dialogue with the viewer. Structured in three main chapters, the thesis first contextualizes the physical, mythological, philosophical, and psychological aspects of shadow, tracing its transformation from classical art periods to modern movements. The second chapter examines the concept of space, particularly through the lens of "espas," highlighting the role of shadow in redefining and reshaping spatial perception. The final chapter analyzes works by Andy Warhol, David Hockney, Francis Bacon, and Ayça Ay, showing how contemporary artists use shadow as a means of spatial expression, psychological narrative, and conceptual investigation. By framing shadow as a component of identity, the unconscious, and collective memory—rather than simply the absence of light—this research reveals its evolution from a visual aid to a conceptual protagonist in painting. Utilizing literature review, archival research, and case studies, the thesis aims to contribute a comprehensive understanding of the transformation of shadow and space in contemporary visual arts. Keywords: Shadow, Painting, Space, Chirico