End of art from Hegel to Derrida

In this study, The Ends Issue is explained on the basis of Derrida's The End of History, as the conception of history has been completely changed and since this is the most important factor of the issue. It starts with Hegel's Absolute Spirit philosophy and continues with Nietzsche's Over Man thesis that have led the way through contemporary thinkers. All changes in the social field, that come into the open, as Daniel Bell's The End of Ideology expression, Fukuyama's announcing the final form of human government, and Slavoj Zizek's questioning the end of universe, are also explained. As result of the arguments axis, the reflections of the term The End of Art is explained, by The Loss of Aura in Walter Benjamin's philosophy, Ranciere's thoughts on the new aesthetics, Roland Barthes's artist that draws away its sovereignty from artwork, Baudrillard's Loss of Reality, Simulation as the imitation of real-world, also his Conspiracy of Art theory, Kuspit's announcing the End of Art and finally Danto's After the End of Art theories. By introducing all the opposite or similar thoughts, this study comes to the point of analyzing the question of "What is Art Today".