Analysis works of kâr form in Turkish classical music of Muallim İsmail Hakkı Bey, in terms of form and magam

A composed form in Ottoman Turkish Music ( Kâr Form), which is one of the secular vocal music forms of Classical Turkish Music, is one of the large-scale forms consisting of extended composition by many composers of the 19th century in their works, although it is not used much today. This research aims to analysis Kâr Form in Turkish Classical Music of Muallim İsmail Hakkı Bey, one of the leading composers of the 19th century, in terms of form and mode. In the study, first of all, the life of the forenamed composer is briefly mentioned. Then, the composer's 7 works in Kâr Form in Turkish Classical Music have been analyzed in terms of form and mode. Qualitative research methods and techniques have been used in the search using the scanning model. According to the results of the modal analysis performed on the works, it has been concluded that five of the composer's works have been composed as to understanding of modal in music the Arel-Melody Vocal Range system. (Arel-Ezgi Uzidelik). With regard to the results of the form analysis, it has been determined that the number of lines in the composer's works has not been kept the line lengths long and the tarannum sections have been kept quite long compared to the number of lines. Key words: Kâr, Form, Muallim İsmail Hakkı Bey, Turkish Music