Hand forms in expressing emotion and behavior inpainting art
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Abstract (EN)
In this study, the existence of the emotion and behavior of the "hand" form in social, scientific, psychological, religious and painting art is touched upon. Human beings have had a desire to explain and be understood since their existence. From history to today, people have communicated by resorting to cave walls, oral literature, body language and modern art to meet their communication needs. It aims to innovate by increasing the need for human communication day by day. The situations of the Hand, which is an important factor in the historical process, reflecting many emotions and behaviors such as image, symbol, symbol and communication tool, have been revealed. The hand form in the study consists of three parts. Firstly, the functioning, anatomy, communication, and conceptual expression power of the hand form, which differs as a social ideal, as an image and symbol, were examined under the title "Use of the "Hand" Form in Social Life". In the second part, under the title of Expression Richness of Hand Form in Painting, artists living in different periods express emotions and behaviors in their works, such as drama, happiness, sadness, labor, authority, latent feelings, etc. It is aimed to examine the hand form within the scope of the subject. In the third part, dedicated to the narrative of emotion and behavior in painting, it was applied practically on canvas and experienced by interpreting, examining and analyzing the hand form. Keywords: Hand in Painting, Feeling, Hand Form, Behaviour
Author
Yunus Emre Sarı
How to Cite
Yunus Emre Sarı (Master Thesis). Hand forms in expressing emotion and behavior inpainting art, 2024, Akdeniz University.
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