Shawl pattern usage in Safavid and Ottoman period wearing

This research titled "The use of paisley pattern in Safavid and Ottoman period weavings" was prepared as a thesis in Arel University Social Sciences Institute Textile Department Master's program. In this research, we will look at the origin of Boteh bath design, its development and analysis in different textiles of the Safavid and Ottoman periods. In this context, there are two views: The first view accepts that the origin of this symbol is related to the Indian herb plant, and the second view accepts the emergence of this symbol in ancient Iran. The shawl pattern has evolved in different historical periods and has become today's form. Since art in Iran does not only have a beauty aspect and is rooted in the mythological beliefs of the people, it is also a symbol of life and immortality and has a simple shape similar to a Pine tree or fire and almond, which changes in different periods. took its present form. The peak of the prosperity of Iranian art was in the Safavid period, and many textiles were produced in this period and various weaving workshops were established in this period. After the patterns used in them were discussed, the design of Bete Jagah in textiles was discussed. This period is examined with visual examples compiled from museums, books and various articles. Then, by examining the fabrics of the Safavid period, they examined their types and some samples of Bete patterned fabrics were examined. According to the findings obtained in the research; Mixed societies have seen art as a means of showing their beliefs, cultures and tastes since ancient times, and the Safavid and Ottoman periods are leading in this field. Finally, some designs were made and the shawl pattern design was tried to be combined with today's modern clothes.