التناص في شعر جميل صدقي الزهاوي

Intertextuality is a modern critical term and a new critical phenomenon for an old concept, which appeared on the impact of linguistic studies in the West and has its roots in ancient critical studies with different names and terms such as quotation, theft, embedding and others. The two great ones, as they often talked about intertextuality, even if they did not address it directly. The negative view of this term changed to a positive one after the use of the term and its careful dismantling by the French-Bulgarian philosopher (Julia Kristeva) influenced by the dialogue principle of her Russian philosopher teacher (Mikhail Bakhtin), and there There is a consensus among many that the text is a fabric of previous texts and that it is the absorption of an authored culture that the writer dissolves in his text to produce what is known as (intertextuality) in its various forms, such as direct and indirect intertextuality, and both types are divided into other types of intertextuality that differ according to the difference in literature. The culture from which the writer drew his texts. In her research, the researcher dealt with intertextuality in the poetry of Jamil Sidqi AlAzhawi, in which she focused on extracting intertextualities in his poetic texts and clarifying their types and the way they are used in the poet's poem. The study reached a number of results, the most important of which are: - The poetic experience of the Iraqi poet Jamil Sidqi Al-Azhawi is one of the most prominent poetic experiences in the Arab world, due to its creativity, depth, richness and vitality, which made it move to the Arab world smoothly. - The poet's poetic works were not limited to one type of intertextuality, but rather included most types of intertextuality, with its two main parts, direct and indirect, and their branches. Even at the level of a single poem, sometimes we find more than one type of intertextuality. - Religious intertextuality occupied the largest space in the poet's poems, as the Qur'anic verses related to the stories of the prophets and the crucifixion of Christ occupied a prominent space in the poet's poems, as one poem is hardly devoid of religious references through which he wants to convey different messages.