The existence of emptiness in formal context in art and individual applications

For many years, many concepts have been the subject of art. The concept of emptiness was first started to be studied in Eastern art and reflected to art in many cultures in different ways. Every moment we live, everywhere there is space. Sometimes it remains unnoticed but always exists. It is the emptiness within us that allows us to breathe; one of the elements that makes the wheel of a bicycle rotate is the space in the wheels; it is again the emptiness that enables us to move in the areas where we live. In short, everything that we can realize exists is made sense through emptiness. This artwork consists of three main titles. In the first section; The process of art and creation, which motivates people to reflect their thoughts, dreams and experiences, to transform them into a concrete object, has been researched and tried to be examined with subtitles of form and content. In addition, research on the effect of space, which is our main subject, on the shape and the effect of the form for the space has been investigated. In the second part of the study, the concept of void is examined together with the concept of void, and the relationship between void and space and objects is tried to be explained. In addition, the works of artists who interpret the concept of emptiness in art from different perspectives are included. In the last part of the study, with the support of these researches, the gap is tried to be reflected in the artistic context with original applications. The starting point of this art report is to perceive the void and to evaluate and interpret it as an element of balance in formal sense.