The notion of sensorium in arts and politics and the viewer as participant
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Abstract (EN)
There is an interaction between arts and politics that shapes the experimental phase of subjects and objects. Both arts and politics need viewers who hear, observe, perceive and sense. The purpose of the paper is to show how arts and politics are related and how they are the subsidiary elements of the perceiving and the partitition of the sensible. In addition to that, to Show how relational aesthetics run and put in an appearance in the process of life with the contribution of the viewer. The Idea of Jacques Ranciére, the sensorium, as the aesthetic way of thinking and the phases of artistic practices and the idea of aesthetics since eighteenth century are going to be handled.
Author
Cansu Kuman
Institution
How to Cite
Cansu Kuman (Master Thesis). The notion of sensorium in arts and politics and the viewer as participant, 2014, Feyziye Schools Foundation Işık University.
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