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The Effects of World War II and its violence on painting and theatre (1939-1960)
Bu çalışma, Şiddetin ve özelikle II. Dünya Savaşı şiddetinin etkilerinin 1939-1960 yılları arasındaki Resim ve Tiyatro sanatlarına yansımasını inceleyecektir. Söz konusu dönemde şiddete maruz kalan ve/veya uygulayanların Resim ve Tiyatro Sanatlarına nasıl konu edinildiği, sanatçıların bu dönemden nasıl etkilendiklerini eserleri üzerinden karşılaştırmalı araştırmayı hedeflemektedir. Resim ve Tiyatro'da eserler üzerinden literatür araştırması, yazılı ve görsel kaynak araştırması yapılarak şiddet kuramının görsel kaynaklara uygulanışı incelenecektir.
17. yüzyıl ve erken 20. yüzyıl resim sanatında çirkinin estetiği
Hereby this thesis titled "Aesthetic of Ugliness in the Art of Painting Between 17th Century and Early 20th Century" investigates the paintings that contain ugliness in them. The main focus is to show and discuss paintings that include ugly content or figures to reveal the fact that in the History of Fine Arts, since the 17th century, ugliness is used as a conceptual and aesthetic parameter. In this context, to understand and to define ugliness; beauty is explained first in chapter II and III, both in philosophy and in art. In chapter IV, ugliness is described and exemplified in accordance to the art periods. In chapter V, the explanations of the selected examples of paintings that mention ugly in them from 17th century starting with Baroque and until the early 20th century ending with New Objectivity is explained. As a result, the aim is to show the importance of ugliness in the art of painting.
The effects of istanbul modern on the Art Museum industry in Turkey
The art industry of Turkey started centuries ago and has developed considerably, especially in the last century. One of the most important factors of this development has been the art museums in the country. The public's interest in art through art museums has increased, thus the art industry in the country has progressed. Specifically for Turkey's art industry, the 21st century has seen the establishment of important art museums one by one, one of them being Istanbul Modern. Bringing the modern museum concept to our country for the first time, Istanbul Modern has immensely influenced the industry with all the services it offers, especially the art museums that came and will come after it. Therefore, this dissertation aims to convey the effects of Istanbul Modern on the art museum industry in Turkey. By considering this aim, the research focuses the questions what makes a modern and contemporary art museum, how did the art industry in Turkey originate and develop through centuries, and how was Istanbul Modern founded and reached its present importance.
Yeni medya sanatının festivallerden müzelere geçişi Geçici sergi modellerinden müze sergileri ve koleksiyonlara geçişi
In this thesis, the effects of technological innovations that emerged with the possibilities of new media on artists, institutions and art in general are examined. The works of the artists who use technology and make experiments by collaborating with engineers were mentioned, and various events such as festivals and symposiums that paved the way for these experimental studies are mentioned. It is thought that the relationship of new media art with festivals and art institutions will give a general idea about how new media art has been taking its place in mainstream art. With the reshaping of societies by new media, institutions have also begun to change. These changes in the art environment have also led art museums to an inevitable change. In this context, new museology is a concept that needs to be mentioned. Today, with the emergence of important art investment platforms such as NFT, a new channel is formed for artists in the digital field in terms of exhibition, auction and sale of works. In this context, collection and copyright issues were also investigated in the thesis.
Birinci nesil osmanlı askeri ressamları ve yerel sanat tarihine etkileri
The beginning of Turkish figurative art has their origins in the 19th century. The first figurative artists came from the military of the Ottoman Empire. The causes of inevitable modernization process of Ottoman Empire resulted in modernization of Ottoman Army at the first stance. New schools established which were taken as examples from Western Military Schools and painting classes were added to their curriculum as a requirement of western perspective. The painting classes were planned in a narrow perspective for military officers in order to help their perspective on the battlefield i.e. drawing and reading map. Need for art (painting) teachers increased rapidly after the establishment of new schools. In the beginning, those needs were addressed by non-Muslim painting teachers. Yet, talented military officers were sent to Europe in order to satisfy those needs. As a result, military officers returned to the Empire as painters and started the figurative art in the Ottoman Empire. Framework of this thesis is limited with contribution of soldier painters in the beginning of Turkish figurative art. Soldier painters such as Seker Ahmed Pasha, Halil Pasha, Bahriyeli Ġsmail Hakkı have many contributions to Turkish figurative art such as production of first Turkish paintings and exhibitions in Beyoğlu – Istanbul. To put it in another way, they were pioneers of Turkish figurative art and they also rejuvenated the sense of art of citizens of Istanbul. In this thesis, painter soldiers will be examined in detail. Moreover, these questions will try to be answered: what are the reasons why soldier painters were sent to iii Europe? Who were them? Why did they go to Europe? How long did they stay in Europe? When did they return to the Ottoman Empire? What did they do in the Ottoman Empire after they returned? What were their effects on the sense of art in Istanbul? Key Words: soldier painters, first figurative arts in Ottoman Empire, Ottoman painters
COVID-19 pandemisinin sağlık kurumlarında çalışan idari personel üzerindeki etkisinin yönetim sürecine yansımaları
Covid-19 pandemisi bugüne kadar 6 milyondan fazla insanı etkisi altına almıştır. Pandemi hem uluslararası alanda hem ülkemizde birçok değişime yol açmıştır. Sağlık yönetimi açısından da pandemi ile mücadelede birtakım tedbir ve önlemler alınmak zorunda kalınmıştır. Bu çalışma ile sağlık yöneticilerinin süreç boyunca sahip oldukları görüşler ele alınarak sürece yönelik tespit ve değerlendirmeler yapılarak önerilerde bulunulmuştur. Araştırma evreni Erzincan ilinde bulunan Mengücek Gazi Eğitim ve Araştırma Hastanesi ve Özel Neon Hastanesinde görev yapmakta olan idari personelle sınırlı olup, örnekleme 18 kişi dahil edilmiştir. Araştırmada nitel araştırma deseni kullanılmıştır. Araştırma yöntemi olarak görüşme yöntemi; veri toplamak amacıyla da hazırlanmış olan yarı yapılandırılmış görüşme formu kullanılmıştır. Elde edilen veriler betimsel ve içerik analiz yöntemiyle açıklanmıştır. Çalışma sonucunda elde edilen bulgulardan yola çıkarak tartışma yapılarak öneriler sunulmuştur.