Ertâh B. Suheyye El-Mürrî'nin şiirindeki seslerin delâlet üzerine etkisi

Linguistic sounds are considered the first building blocks of a poetic or literary text, and the sounds include multiple aesthetics, with the different features they carry, represented in their loudness, whispering, intensity, softness, arrogance, derivation, ... and so on. They reflect the semantic reality of the literary text, and the emotional and psychological reality of the poet. The sounds are like a mirror, reflecting a clear picture of the thoughts that go through the poet's mind that he would like to express, and he is keen to communicate them to the recipient. This research came, deriving its origins from linguistics and the science of Al-Badi, dealing with the phonetic aspect in the poetry of Arta bin Sahiya Al-Marri. The aesthetic in the receiver, and to achieve this goal, the researcher relied on a number of investigations, namely: the repetition of the single sound, the homogeneity of sounds and their dissonance and their impact on the significance, and the prevalence of long movements and their impact on the speed of rhythm, in addition to the vocal contrast in the qualities of loudness, whispering, intensity and softness and its impact on the recipient. And this was followed by the wonderful vocal: repetition, declension and homogeneity, and the music generated from it that strengthens and confirms the meaning. The researcher chose the poetry of Arta bin Sahiya Al-Marri because of the diversity of purposes in his poetry, the strength of his words, and his suitability for study, in addition to the lack of studies that concerned him. The study concluded that the repetition of sounds, their opposition, homogeneity, dissonance, and other topics, contributed to generating and highlighting the meaning for the recipient. Keywords: Sound, semantics, repetition, dissonance, long vowels, phoneme contrast, alliteration, anaphora.