Reality perceptions in Turkish poetry after 1990

The way of seeing existence is possible by staying in the plane of reality or vérité. The first corresponds to a perceptual perspective and the second directly to acceptance. Art is shaped in one of these two ways, too. First in, art would correspond to a research and comprehension effort; in the second, it's clear that an attempt to reflect on the ideal is reflected in the thought that the knowledge of the absolute is already possessed. In this study, "reality" concept was taken to the center and it has been argued that authentic (real) art should be related to reality. In this context, the reality in art has been explained based on the principles of "aesthetic transformation / conversion", "personal experience", "accordance with real (authenticity)", "intention and consciousness", "consistency". "Generation" matter is also one of the issues and "representation value" is emphasized instead of "generation" concept. Then, general course of Turkish poetry in the period from 1990 to today has been researched. For this process of Turkish poetry, "questioning existence, lyrical-imaginative", "intellectual / centered on thought, anti-lyric, excluding metaphysics" and "experimental / experimental quality" poetry lines were determined. In addition, "New Syllable Poetry / New Syllabist Poetry", "Neo-Epic Poetry", "Experimental / Concrete / Visual Poetry" was evaluated in the context of poetic orientations. In the main part of the thesis, the art of ten (10) poets who are claimed to have "representation value" were analyzed with Mehmet Kaplan's Eclectic Analysis Method. The main purpose of the study is to determine the perceptions of reality in works of the poets. Keywords: Turkish poetry in 1990s, Turkish Poetry in 2000s, Turkish Poetry in 2010s, real, realty, vérité, personal experience.