Language and style characteristics in Lütfi Ömer Akad's cinema in the context of Auteur theory

The term which is called "the term of movie directors" was started by Lütfi Ömer Akad. Akad signed most of the first, and he is an expert who developed an original movie language and his manner in a certain process. He is accepted as the first the Auteur Director of Turkish cinema with he brought a new term "A simplicity that is not deprived of depth" which is called the "Akad signature" to Turkish cinema. In the thesis, the Auteur identity of Akad and his manner and manner properties will be focused on. While the films of Lütfi Ömer Akad compose the universe of the thesis, Director's movies which are Kanun Namına (1952), Yalnızlar Rıhtımı (1959), Hudutların Kanunu (1966), compose the thesis sample. In the thesis study, analyzing Akad's movies, which are the quality of the millstone, his manner, and composing terms of his manner will be examined.