Pedagogical and organological examination of the azerbai̇jani̇ folk instrument kamancha

Kamancha instrument is an integral part of Azerbaijani musical civilization. This instrument, known by different names in many countries, is known and loved as Kamancha in Azerbaijan. It has been found in many articles and works about the Kamancha instrument, and this instrument has been depicted in miniature paintings. This musical instrument, which has a rich history, has been used in the musical civilizations of many peoples at different times. This instrument, which has been used as an accompaniment instrument since its emergence, is also used in a different way in Azerbaijan today. This musical instrument, which was used together with the tar and hanande (mugam master) in many assemblies in ancient times and performed by ear, was created by the genius composer Üzeyir Hacıbeyov of the Orchestra of Folk Musical Instruments with Notes, which brought a new breath to the kamancha instrument as well as other musical instruments. The creation of a notation system for the kamancha instrument, along with other musical instruments, has caused many composers to write works for this instrument. Today, there is great interest and love for this musical instrument in Azerbaijan. The education of this instrument begins in 5 and 11-year schools, and education continues in conservatories in the later stages. The creation of the notation system for Kamancha was not limited to composers writing works; many faculty members and performers made great contributions to the field of education. Composers, performers, faculty members. made great contributions in the pedagogical field for the kamancha instrument, books collecting information on kamancha performance, etudes, scales, methodical materials for teaching kamancha, arranging the works of Azerbaijani and Foreign composers into books for kamancha performance, creating numerous books such as kamancha performance and this instrument has further increased and continues to increase the technical possibilities of the instrument.