Changing surface-text within the scope of photography and digimodernism

The development and change of photography, which started with modernity and then with modernism, followed a high acceleration due to its nature. Photography, which has acquired new missions in addition to the documentation mission specified for its emergence, has developed its own language under the structure of modernism. Photography, whose name began to be mentioned among the branches of art, was blended with modern trends in this period and established its name, language and position on solid foundations. Then, in the postmodern process, it was blended with more forms of expression and progressed with a textual expression. With the change of the surface on which it was recorded in the historical process, every face it has has given new meanings to the photograph. The digital surface it has today has expressed it with a different textuality. As we approach the last quarter of the 21st century, a new cultural and artistic structure called Digimodernism has started to show itself. Photography has also had its share from this structure, which emerged with the adaptation of the Internet and all computer technologies to art. At the same time, Digimodernism has brought with it a new form of text, the digimodern text. Digimodern text: primarily by digitizing the traditional text form with a literary emphasis, by means of tools known as linear and mechanical, and differentiating it with computer interventions; It has brought media such as audio, video and photography into a multiple structure. In the evolution of the text, the aesthetic understanding of art products has also changed. Undoubtedly, photography comes first among those who adapt to this change and aesthetic understanding. The study tries to explain the effects and change of the digimodern text, which expresses the aesthetic codes of digimodernism, on contemporary photography art. Keywords: Digimodernism, Photography, Surface, Hypertext, Digimodern text