Comparative composition analysis in Erol Akyavaş's tradation enbodied paintings
2013
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Danışman: Doç. Dr. Erol Kılıç
Özet (EN)
The aim of this study is to search a different view point of Erol Akyavaş?s Paintings and to make contribution for acedemic literature by comparing the composition patterns of Tezhip and Topographic Minuatures and Erol Akyavaş?s compositions patterns. This thesis consists of four chapter. In the first chapter the composition patterns are determined which are using in Tezhip and Topographic Miniatures that compared with Erol Akyavaş?s composition patterns.And there are an examples and analysises about these composition patterns. In the second chapter, we tried to find out how Erol Akyavaş affacted from custom and what he carry from custom to his art by analysing his life and his understanding of art and philosophy of his life. In the third chapter minuatures and Tezhip Art have examined and the composition patterns which are using in Tezhip Art and minuatures have determined. The similarities between Akyavaş?s geometric compositions and Tezhip Art compositions have determined by comparing them. Akyavaş?s architecture geared compositions compared with the topographical city minuatures?s composition and these compositions have analyzed. Also, the forms that Akyavaş uses offently in his art have examined, if they velwed of minuatures or not, and we try to put forth how Akyavaş take this forms and change them in his art. Application studies takes part in the fourth chapter.By benefiting from Hat, Tezhip and Sufi Philsophy and in the light of the information obtained from thesis, I try to have a unique style of painting. End of study, we determined that how Erol Akyavaş affected from topographical minuatures composition layouts and how he affected about imaginary sense. As well as he uses the caligrafic forms in the Hat, how hw affected the using of composition patterns in Tezhip and how how reflect them to his art are examined. Encountered outside of the general observation of Erol Akyavaş?s art analyses, we determined that how Erol Akyavaş used the custom and how he change the custom art to his unique style art. Keywords: Custom, composition, minuature, tezhip
Yazar
Dr. Ayşe Yetgin
Bu Yayına Nasıl Atıf Yapılır
Ayşe Yetgin (Master Thesis). Comparative composition analysis in Erol Akyavaş's tradation enbodied paintings, 2013, Akdeniz University.
Anahtar Kelimeler
Lisans
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