Film tekniklerinin sinematik sanal gerçeklikteki hikaye anlatımına etkisinin incelenmesi

This thesis focuses on analyzing the usage of traditional film techniques and their effects on storytelling in cinematic virtual reality (CVR) or 360° films. Since virtual reality is an emerging technology, creating content for it is still an ongoing process and an open-ended discussion. Throughout this work, existing cinematic virtual reality contents are viewed and analyzed to seek answers for the following questions: "How does CVR function differently from traditional cinema?", "What is the essence of CVR?" and "Can we define the rules of production of a successful CVR film?". The chosen CVR films are analyzed by the following five main criteria to answer these questions: the first-person view vs. ghost view, still viewing or moving viewing position, the existence of a guiding content, space and time transitions, and vertical-horizontal movements. At the end of the study, a guideline is presented for virtual reality filmmakers and researchers about creating CVR content that would achieve a standardized storytelling approach.