Precession of sulpture form: An examination of formlessness through Georges Bataille

This study is an examination of the movements within and impossible search, which the form pursues in order to exist. Emerging from the content, the reason the sculpture is able to tell its inner experience is because it emerged against the occurring space and as the result of its suffering. Becoming the results of the pains of its creator, sculpture obtains shapelessness and the key to its nonhomogeneous rhythm is the awareness of uniformity. At the beginning of this study, failure of the movements as they became familiar with mortality and the movements within the inner uncertainty of the deficient form it took, are being elaborated. As the study goes, sculptures took shape in the irregular area with opposite forms, where deformity and eroticism were coalesced with dirt and disrupted the homogeneity of the barren reality. After this point on, content of the thesis consists of examining sculpture's contradicting existence and loneliness apart form a basic form, within the relations arising due to the lack of opposing forms under sculpture's influence.