Problems and solution suggestions for performing transpose of Turkish music with violin instrument

The main purpose of the research is to identify problems related to violin playing and transposing Turkish music and to offer solutions to these problems. In this study, case studies, one of the qualitative research methods, were used. In the research, problems related to violin playing and Turkish music transposed performance and solutions to these problems are suggested. In this regard, a status information regarding the determination of details and solution suggestions has been added. This study was considered to include healthy violin players and experts in the field of violin for a multifaceted evaluation study aimed at detecting problems in transposed performance, and therefore the opinions of expert users in the field of violin and active violin players were consulted. Semi-interview techniques were used to determine the records of violin experts and violin players. In the research, it is aimed to increase the mastery of the violin and reveal the richness of playing by providing richness in the performance of different keys and positionings in different sound decisions during the performance of Turkish music works on the violin. 1.2.3.4 on the violin to facilitate the performance in different sound decisions while performing transposed performance. It is essential to make use of positions and different keys. Since the violin is a fretless instrument, the main goal of the study is to perform it in the right positions or in the correct key while transposing the pieces. This study is carried out on tonal music sounds, to ensure ease of performance in the works by transposing the tonal C series in full sounds on the violin without changing the tuning system in any way, without disrupting the notation structure of the works written in "La" decision, by positioning positions with the help of positive transfer of the sounds of the maqam scale to the decision sounds to be transposed and It aimed to increase the performer's command of the violin with the help of different keys when necessary. The notes of the works to be played were written according to the tones corresponding to them in tonal music, thus associating them with tonal music. Key Words: Violin, position, Transpose, Decision, Performance, Notation