The acting method and evolution of Konstantin Stanislavskiy: The functional approaches to the method of Vsevolod Meyerhold and Yevgeniy Vakhtangov

Stanislavskiy, to develop the actual psyco-physical acting technique, has devoted the last part of his life to psycho-physical artless acting as a solvent and he has improved himself on this technique. Stanislavskiy has believed that; at the process of the human natural and biologic laws, his technique means as the customaries of theater in fact. He always attached importance to his own stage experiences to take up the points. He was compiling his diagnosis from the studies about role playing of famed actors.Stanislavskiy has described the movement analysis and the methods of psycho-physical action. These methods which are connected with the mental, emotional, psychological and physical energies related with the human nature are accepted by all the intellectuals at the same time period.Meyerhold has perceived the psycho-physical acting method of his teacher as a simply psycho-physical realism at the stage and he has opposed to that. The usual and daily reality of life and the reality of stage were very different according to him. For this reason he has not accepted the technique of Stanislavskiy?s psycho-physical acting method as functional.On the other side, Vakhtangov has also embraced an acting method in his theatre which puts forward the fantasy of player. He has mostly used the naturalist and realist acting method of Stanislavskiy exactly. In addition to this, he has used the bio-mechanical acting approach to train the body of the player. As the result of both methods? synthesis; he has purposed to call his spectators? attention during all the stages continual. By means of this, he has presented a probable fact that can seen in the life to his spectator with theatre.Stanislavskiy has embraced that the character affects on the player like the method of his psycho-physical acting technique. However Vakhtangov has allowed that the player affects on the character.Key Words: Stanislavskiy, Meyerhold, Vakhtangov, Acting, Acting Methods, Fantastic Realism, Biomechanic.