The meaning of the space and the relationships with the color and other design elements of color according to graphic concept in the theatre posters design of Ministry of Culture

ABSTRACT Modern people apply the various ways in order to establish the communication. One of these ways is the poster which is rooted from 1700. The poster has come from past to present as being developed and being variable. Now, the poster has become one of the most important graphical products by the virtue of modern technology. The poster which is one of the most important elements of communication channels also plays an important role indirectly to reflect the cultural, commercial and political sides of the countries which are included by the communication process. Until today, the posters have been drawn by the poster design artists and painters with various techniques without establishing their branches. However, nowadays, the poster is a separate field and is divided into branches within itself and it is drawn by the concerned artists. The role of poster in presentation became important by increasing of technologic possibilities and entering into the computer age. The poster plays its role as using its remarkable aspect, provoking the curiosity or needs as being directed to the targeted group. The poster methods and techniques are also proper for the modern methods and techniques. The posters may be designed or reproduced under the digital medias. Existence of the life and even universe is greatly dependent upon the relationship between the space and plenum. All describable characteristics of the plenum are dependent upon the space. It can be said that the "space" underlies every phenomenon since it allows for their "movement" and "fullness". In this study, after studying 59 placards, we may summarize the results as follows: Omnipresence, "restrictiveness" or "containment" of the results from the fact that it is three dimensional. While the space which is used in designs sometimes associates "three dimensions", it is in some cases preferred to emphasize "presence of plenum". IVSpace is a concept which is restrictive per se, but has not limitations. The very thing which surrounds the stars which are observed individually on the heavens, is the space which has no limitations. In the two dimensional designs, the space is a two dimensional plane on which the designer chooses to apply his/her design and animates his/her notions, in which case the plane on which the design is applied, is the place where an event is really animated. Imaginary space is the space which can be expressed by the planes, the forms contained thereon and by the color relationships, perspectives and images3. In this space there are two dimensions namely width and length. These dimensions are used in many places and perceived in the following two cases: 1) In general, the areas which restricts the frame or space which is restricted by the dominant color present in such areas and under the light of the various color relationships, these dimensions are perceived. 2) These dimensions are perceived under the light of the relations between the design and the spaces surrounding the design4. Accordingly, the space present in the two dimensional is an imaginary phenomenon depicted in the imagination of the designer. The space forms artistic relationships with the color and other design elements. 3 Mirgory BEVLIN: Design Through Discovery, Hold, Rinhart And Winston, Third Edition, New York, 1977S.62 4 Abbas ELRUBAYÎ: Elşekil Ve Elhareke Ve Elilakat Elnatice Fi Elamaliyat Eltasmimiye Sunaiyet Elabat,Doktora Tezi,Bağdat Üniversitesi, Güzel Sanatlar Fakültesi,Bağdat,1999,s.27 V