The saved area and art

Modernity was built on three pillars: the Enlightenment mind, the French Revolution and the Industrial Revolution. The Enlightenment promised people a beautiful, comfortable life through advances in science and technology. However, according to some, these promises resulted in the domination of the modern invidual and nature. The French Revolution, launced in Pris for concepts of freedom, equality and justice, is the political space of modernity. The revolution raised the flag fort he nation state and capitalism organized by the bourgeoisie. Industrial society with the Industrial Revolution gave birth to industrialized culture and the individual. Over time, the individual, who became a customer for everything, existed as he/she consumed and moved away from natüre and his/her own nature. The rational metarialistic modern individual felt trapped, hekpless and alone. As a result of property, division of labor and forced labor, the indiviadual become alienated from himself/herself and nature, and has been driven to escape. This escape is a search for refuge. This study aims to explain how the work of art can be a refuge fort he escaping individual in the context of play as a rescued space. The creation in this field was analyzed; it was handled with passion, play, spontaneity, purposeless, useless, intrinsic to itself, as the meaningless scribblingof a baby. In this thesis, in which the survey method was used, existing sources were scanned, and artworks, artists and thinkers were interpreted in the context of the thesis topic with findings obtained. In addition, the artistic Works created by the thesis author were also included in the thesis in the context of making sense of the subject. As a result, the key to this liberated autonomous space that will break the escaping modern man/woman away from real life, libarete him/her, and the magical enthusiasm of the child is play; that is, art.