Deviations from tradition and morphological repetitions in the Nabi's Divan

In classical Turkish literature, the 17th century hosted the hikemî poetry with Nâbî and the Sebk-i Hindî approach, especially with Na'ilî and Neşatî. In addition, the literature of this century preserved the powerful literature of the 16th century and opened the door to the search for innovation in both the themes and the subjects discussed in the light of two new styles. Contrary to this bright situation in the field of literature, this century is known as a century in which the Ottoman Empire began to decline and experienced internal and external defeats. As everyone knows, classical Turkish literature has a traditionalist identity. For this reason, poets' areas of action, the materials they will use within these areas, and the topics they will cover within the framework of love are limited and predetermined. However, some successful poets who objected to this situation and pursued new dreams, new subjects and new expressions went beyond this traditionalist literature, and moreover, this traditionalist side of literature was criticized from various aspects. In this study, we tried to shed light on Nâbî's identity as a poet who expresses unconventional, unusual discourses and associations, criticizes tradition when necessary, and opens doors to new topics. In addition, in the research on the poet Nâbî, studies in which this aspect of the poet was revealed through some of his ghazals were identified and benefited from. In this way, a more comprehensive and holistic study was attempted. In addition to these, the existence of morphological repetitions in Nabi's ghazals and their use in the ghazals, which constitute another branch of the study, were discussed and analyzed. Keywords: Deviations, Nâbî's divan, Reconciliation, Repetition, Stylistics, Tradition in classical turkish poetry, Vâsûht style love.