Actor's dramaturgy

The studies based on relationship on acting and physical actions of Konstantin Stanislavski lead him questioning of depth physical action in the last years of his life. The followers of this heritage like Vsevolod Meyerhold and Jery Grotowski locate body of actor and actional presence on both the center of work order and staging. In parallel with that case, also research method of Stanislavski turns into the model of theatre laboratory and makes progress. In following process, Eugenio Barba, who takes over problem and research approach, searched joint principles of projectionist by doing cross-cultural studies at first in Odin Theatre and later at International School of Theatre Anthropology. On the other hand, Barba used the concept of dramaturgy by separating from classic context on his studies about principles of staging. In this study; acting-body researches of Stanislavski and next period, findings about staging and projectionist of theatre antropolgy, new expansions of dramaturgy concept and the concept of performer's dramaturgy in the light of Eugenio Barba's studies are analyzed and configured.