Novel "Aesthetics of Resistance" is based on visual reading guide which was written by Peter Weiss

There is a direct relationship between the perception of this novel and art in the way of necessity of ordering readers? memory from the point of view of historical knowledge. It is clear that author doesn?t consider his/her readers as a specialized individual from the point of view of ?perception of history of art and social?. It will be seen easily when the characters of novel is examined. Members of the characters of Red Orchestra are young communists. The plot of the novel is real facts and all of the characters are real except unnamed characters in the Ben narrator novel including elements from autobiography of Weiss. Father of Ben who was born in the day of October Revolution in 1917 was a laborer who participated in a labor rebellion in Bremen in 1919 and was a member of a German Social Democrat Party (Göbenli, 2006). Although Coppi had a certificate of turnery, he was label because of his imprisonment and he was obliged to work in motorway construction because of his being a member of an illegal Communist Party while selling shoelace and newspaper in front of a kiosk. The novel with the characters such as Heilmann, being just in twenty and educated well than Narrator and Coppi, wanting to be both scientist and astrologer, unlinking ambiguity, never bearing to comments of which source is not stated, but seeing necessary to let perception free sometimes consciously as a necessity of literature is creating field of literature and historyof culture and art including vision coming from daily politics (Tanyeri, Kurultay, 2005, 5). The plot which is set in the center of relationship between being understood and transformed of life and being understood of art and history describes a topic conveyor of a total comprehension under these titles. In other words, while the author is suggesting an alternative perception of history of art, he claims that it will be meaningful with the realization of new design of life. With ?Aesthetics of Resistance? named as one of the novels of the century, Weiss tries to surpass the border between politics and aesthetics. It won?t be a mistake to say that Weiss has marked his seal to the century he has lived in with his novel. It is probably not a utopia to expect this novel to be discussed and analyzed in Turkey, reinforced readers? power of categorical perception by revising historical experiences (Göbenli, 2006). To contribute to the expectation stated above puts forward to the general aim frame of this study. Certainly, it is inevitable to hold this general frame limited only with our academic field. According to this case, by basing on the frame in the novel, it is aimed to solve the periodical confusion and possible gaps of reader in the historical knowledge about plastic arts in the context of fundamental fields such as sculpture and fine art. According to this, it is aimed in this study to form a guide accompanying readers while reading by arranging chromatically the knowledge of history of art asked by a literary production with required visual documents. Also, this guide involves an index including especially Turkish sources about work of art and craftsmen in the novel. When this study is thought from the point of view of contributions to provide to the researcher, first of all, it is of importance as it has opened discussion and testing field for individual historical knowledge. Beside, in the process of being tried to determine the topic of the study, it is anticipated to provide opportunities to handle mostly repeated topics in integrity such as historical aesthetic and political experiences, craftsmen and their works, concepts of art. The things leading this study to be carried out, to being the disorders and deficiencies in the knowledge of readers? history of art and the foresight of creating problems facing to the perception of this text case indicate the remaining contexts of historical integrity for researcher when it is inverted In other words, researcher thinks to find an opportunity to discuss the relationship between focusing on near history in the point of social activity of human being and adding connections aiming at a view of integrity to the field of view, and perception of art with this general view. Key Words: Peter Weiss, Asthetic des Widerstands.