Postmodern dönemde üç boyutlu sinema tecrübesinin gerçeklik ötesi anlayışı

This research aims to analyze hyper-reality of three-dimensional cinematic experience within postmodern era. In the study, (illusion of) realistic aspect of a cinematic experience is taken into account in order to examine the `shifts? occurred in the expectations and the understanding of a cinematic experience due to changes within the social paradigm. In this mentioned context, the movie Avatar (2009) is analyzed through its hyper-realistic characteristics with respect to postmodernist notion of understanding. As a result, it could be said that, due to changes on the mode of thought, any understanding could be shaped inevitably, under the effect of the `norms? that came with the mode of thought. In this study, the point tried to be shown is that the changes in the mode of thought has a reflection on the understanding of a cinematic experience.