Deconstruction as futurism and futurism metamorphosis tendency in painting art

DeconstructionMental disintegrations, illusions and contradictions of daily life facilitated unbalance occurring during transitions between images that the artist chose and the stereotyped images. This situation creating unbalance is impressions that are made on the audience with a different presentation amongst various deformation and metamorphosis elements. Sometimes the audience cannot ascribe a meaning to elements and strives to ascribe a meaning. However sometimes the fact that interpretation of the audience differs from what the artist intends to tell amazes the audience. This situation is the transformation process of the idea of the object based on workmanship into a perspective. Futurism is also known as a movement defending continuity, variation and mobility in art. Besides, the principle of futurism is to restore human sensitivity under the impact of big scientific discoveries. Concave, convex, triangles, ellipses, spirals in terms of form; and yellow, red, green indigo, blues, purples in terms of colour are dominant, reflecting the effects of this process in formation of image. Distortions are available within the structure of the object and its subject. The unit is divided into pieces based on these distortions. Amongst this division between paradoxically and mobility, effort to create one's own style. Creating one's own structure; what kind of an interaction futurism and deconstruction idea form after futurism, is also researched. How irregularity metamorphoses within regularity phenomenon anew and with a restoring production can also be discussed. Unbalance and amazement created by images in parts while they are trying to constitute a whole in mind are actually the reality existing in life today. Apart from this situation, the fact that technological developments have entered life, especially the success of cameras in catching the moment, put individualism and focusing on differences and creating from another aspect in terms of art, at the forefront. Individualism formed an art structure based on idea and concept. Related to the object, structure and treatment of art, object of art has metamorphosed and focused on the fact that a ready object can also be an artwork and formed products within this line. What matters is that the artist chooses and treats that object. Considering in terms of deconstruction, M. Duchamp gave worth to what was worthless. When the concept of deconstruction based on J.Derrida, is addressed in plastic arts, it starts with formal differentiation and achieves an ideational basis. Formal differentiation beginning with Cezanne, has metamorphosed using contrasts in painting compositions and tended towards an intellectual and technological process. Deconstruction is based on differences and re-production. Reproduction is neither repeat nor destruction. While deconstruction is a way of thinking on contrasts and differences, the fact that it exists in painting art, cannot be neglected. Formal contrasts and many painting elements such as big-small, vertical-horizontal, mobile-stable, hot-cold colour etc. are in the quality to support structure disruption in this regard. As long as human and idea exist, artwork that metamorphoses, changes, transforms shall continue to exist. Keywords: Futurism, Post-futurism, Metamorphosis, Style