الإيقاع في ديوان حروف على جدران مدينةللشاعر أبزر عباس

The study has always stopped at (Rhythm in a collection of letters on the walls of a city), from which the musical axis and its entity were taken, to separate its parts and techniques, because this aspect of poetry represents its spirit and identity after its meaning. The importance of the study lies in two aspects, the first is to stand at texts that the public loved on social networking sites, and to know the composition of these poems musically that helps other poets to build on this form. The research was built on a preamble. Rhythm was dealt with as a general concept, defining its types and their relationship to each other. Then it moved to the first chapter in which it studied the external rhythm in the Diwan poems. Then it moved to the second chapter to study rhyme, its types and limits, and then moved to the third chapter to study the types of internal rhythms. The research reached results that can be summarized In that the poet is looking for a sea of riddles for liberation and wants free poetry in it, and that it is not organized on seas that are not in circulation, and that the rhyme is the one that dominates his rhymes, and the rhyme for Hazbar is not the center and does not represent only a musical episode that is not one of the poet's priorities. Keywords: (rhythm, weights, Abzar Abbas)