Examining and analyzing compositionsof the Maqam of Sehnaz Buselik in TRT repertoire from the point of variety and form

"Şehnazbuselik Makamı" was scrutinized in the light of 72 works found in the Repertory of Turkish Radio and Television Institution Turkish Classical Music Oral and Repertory Works and the explanations previously accomplished regarding the conceptual structure of the tuning evaluated. In this evaluation, the historical and analytic method were employed. Various opinions suggested about the concepyual structure of the tuning discussed and the type and the form reviews of the work produced in this tuningwere examined. At the begining of the work "Makam" and "Şehnazbuselik Makamı" were described and the descriptions and wiews of some important researchers were given place. There isno certain information about the history of "Şehnazbuselik Makamı". Serhad Durmaz and Yavuz Daloğlu write that the first pieces of the Makam belong to Tab'i Mustafa Efendi and Nalizâde Ali Dede. According to the information finding out of the Makam comes across to the century of XVIII. Şehnazbuselik Makamı was created with adding "Buselik Beşlisi" in "Dügâh" not to" Hûmayun Dizisi" in "Hüseyni" not.According to the description there is "Descendant Movement" action. At the end of this work, the statistical results of the procedures the music composers who have delivered work in this "Makam"used was found out, in which period it had receieved more interest, more works were produced by which composer, which method was preferred more and the position of the tuning within the repertory of Turkish music was clarified. Key words: Turkish Music, the Maqam of Şehnazbuselik