Urban space in cinema: Becoming minor and Istanbul as a dystopic city

The face, which is regarded as the space of the self with its imaginary manifestations, is identified with the urban space that is transformed by sudden and rapid interventions. Moreover, like the city space that defines its inhabitant, the individual also faces the phenomenon of memory loss. The path of individuals who object to the criteria of success and winning determined by the bourgeois in their own peculiar ways, precisely intersects with the concept of becoming minor at this point. Therefore, this study focuses on searching the existential crisis of the individual and the city through cinema.