Investigation of the number 1 Mi'ryeciyye Book in the Süleymaniye Library Ekrem Karadeniz Collection

In the Turkish religion music sources the tradition of reading Mi'râciyye in miracrac lamp is started with the composition of mi'râciyye by nayi osman dede in XVIII.th century and this is supported by music researchers . but if considered that the first mi'raciyye has written in XII.th century and the first detached mawlid and mi'râciyye have writen and red in XV.th century, It can be thought that it is late to write the miraculous literary in the XVII.th century. And also Muînü'l-mürîd and Hârizmî's Muhabbetnâme were read at religious meetings in XIV.th century. In the Mi'râciyye, generally the patterns of "fiâtün faâlâtün fâilün" and "mefâilün mefâilün feûlün" were used and mean fifty; In the mesnevi, approximately two thousand couplets are discussed in detail. Because of the proxies of the tribes occurred on the night of the miraculous, this begins with the figures of speech based on Arabic and Persian words; event, the importance of the night is emphasized by presenting it as an Illuminated and divine miracle that eliminates the blasphemy darkness. Based on the information given above, we have given information about Abdulkadir Töre and Ekrem Karadeniz in preparation for this graduate study and then, the Mârîciyye form was explained according to music and other arts, and the musıc bet was mentioned and information was given about Nâyî Osman Dede. From the point of view of music, the notes in Ekrem Karadeniz and Aytaç Ergen's TRT repertoire, which we have in our hands, were compared and the results were reported. In addition, there are notes of Mi'râciyye in the collection and Mi'râciyye in the TRT repertoire. Our study, Ekrem Karadeniz collection No. 1 Mi'râciyye notebook has been translated into today's Turkish and presented as a resource to the service of music and literature researchers.