Turkish cultural posters typographically investigation

Posters, a part of social and cultural life of the community is an important communication tool Poster for the realization of a specific communication objectives has an important place in society. Places that are open to the views of a variety of cultural events, concerts, festivals, shows, social projects, commercial products, services, theater performances and in the promotion of films, play an influential role in advancing. In this study, by considering the historical process of cultural typographic posters are examined in terms. Cultural areas in Turkey at the beginning of the study, the poster was requested from various entities. In the first region of study, the methodology of the method is mentioned. In the second part of the historical development of the world and in Turkey İhap Hulusi posters, Mengü Ertel, with original interpretations of artists such as Yurdaer Altintas their contributions to design posters and banners are discussed. Turkey in the 1950s until 2000, the process of night; economic, political and socio-cultural field has experienced many changes. All this process of change is seen in the history of cultural posters. In the third section and Culture banner types of relationships are discussed. In the fourth chapter banners images, typography, readability, clarity of writing and letter size. Title and subtitle, composition, symmetry, asymmetry and were analyzed according to design rules. Posters, a part of cultural and social life of the community is an important communication tool Poster for the realization of a specific communication objectives has an important place in society. Banner communicate with the buyer's purpose is to convey the message to the recipient. This study made recommendations for healthy communication will be established, frequently made errors in some solutions are presented.