Master'sOpen Access

The unconscious expression in the new expressionality incredible interpretation

2022
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Advisor: Dr. Öğr. Üyesi Hacer Hasdemir

Abstract (EN)

The combination of real and imaginary in various speculations and concepts / language / technique / and / materials generates new approaches. Obligatory dependence on painting and sculpture leads to new alternatives on paper, rising as the formation of a very specific knowledge that formulates its own projections. Contemporary drawing has been defined by the plurality and diversity of readings, and this trend is what largely motivated the conduct of this research. Enormous possibilities emerge one after another, opening the door to other hypotheses. Drawing, which has been so summed up in its academic function over the centuries, changes its function in our modernity when new embodiments are considered, but above all when undertaken with all the nuances and values that they have determined. This shows, knowing and above all understanding that the values that have always been surpassed and the drawing, in which there is always only one choice, is based on new aesthetic values and thus provokes new ways of predisposing the gaze. Our commitments Current events will not recede into other situations produced by new attitudes that are direct consequences of events that took place in the last century. In this context, the aim of our study is to make a random interpretation of unconscious expression in neo-expressionism. Keywords: Keywords; Art, Expression, Unconscious

Author

İbrahim Atlı

How to Cite

İbrahim Atlı (Master Thesis). The unconscious expression in the new expressionality incredible interpretation, 2022, Gaziantep University.

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