Calligrapher's tombstones in İstanbul
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Abstract (EN)
The tradition of placing identifying markers on graves—continuing from the post-pre-Islamic Turkish periods—evolved into a distinct domain of art and cultural expression within Ottoman Turkish civilization. In this context, gravestones stand as important cultural artifacts, not only conveying the artistic and civilizational sensibilities of the past through their inscriptions, decorative elements, and stone craftsmanship, but also serving as invaluable historical documents. Despite their historical significance, many cemeteries have not been preserved over time. Due to various factors—most notably urban redevelopment—some were even eradicated entirely. Gravestones illuminate earlier centuries as primary historical sources, while also embodying significant elements of cultural heritage. The gravestones found in the courtyards and cemeteries (hazîres) of Ottoman-era mosques—with their distinctive headgear, calligraphy, and ornamental styles—resemble open-air museums, showcasing the artistic sophistication of their time. Following the conquest of Istanbul, Ottoman calligraphy—shaped by the Empire's broader aesthetic, intellectual, and cultural values—entered a period of remarkable flourishing. Alongside the development of manuscript arts, exceptional calligraphic works adorned architectural structures, and gravestones—each a singular work of art—were disseminated across the city's many cemeteries. These gravestones of calligraphers, dispersed throughout different neighborhoods in Istanbul, not only provide invaluable biographical insights into the lives of these artists, but also offer a unique lens through which to trace the stylistic evolution of Islamic calligraphy over the centuries. While some gravestones have survived in relatively good condition, others have tragically deteriorated due to the ravages of time and are no longer visible or accessible. This study focuses on the gravestones of calligraphers in Istanbul. Each inscribed stone (shāhida) was located, photographed, geo-referenced, its inscription deciphered, and in some cases molded. Select examples were also examined from an aesthetic perspective. By doing so, this project aims to document the current condition of these gravestones in a comprehensive manner and, in a modest way, to fulfill a debt of gratitude owed to the masters of the calligraphic tradition. Keywords: Calligraphy, Calligrapher, Cemetery, Gravestone, Burial
Author
Elif Maide Barut
Institution
Fatih Sultan Mehmet Foundation University
Geleneksel Türk Sanatları Bilim Dalı
How to Cite
Elif Maide Barut (Master Thesis). Calligrapher's tombstones in İstanbul, 2025, Fatih Sultan Mehmet Foundation University .
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