The review of Luigi Pirandello's play "The Man with the Flower in his Mouth" in terms of storytelling

The act of telling arose from a personal need to express oneself. Word is the most essential tool of this and the transfer of cultures has become possible with that. On the other hand, theatre as a dramatic oratory has become the most powerful carrier of narratives. In this way, written plays, improvisational performances, or collective performances were designed to tell a story or event to the viewer. Theatre grammar has all the instruments needed to establish a narrative world. In addition to having all the techniques that will form the narrative stage production, it is methodically important to use tools of narratology in an interdisciplinary study to form a narrative-theatre unity. On the way to a narrative performance, a dramaturgy work that will be performed at the text level through elements such as the fiction of the narrative, its adaption to the stage, and its relationship with the audience has an essential quality. Having this in mind, a narrative-dramatic dramaturgy study was conducted on Luigi Pirandello's play "The Man with the Flower in His Mouth", it is aimed to have a sample of storytelling on the narratology-theatre axis.