Execution of mevlid in the historical process

Suleyman Celebi's Vesiletü'n Necat, which has been performed in our geography for nearly 600 years and has become a long-established tradition, is a work performed by many people on their special days. Although different mawlids, were written in addition to this work, it was the most performed and the first work that comes into mind when the topic is mawlid. in the mawlid journals we have, the names of the magams have been noted to help the mawlidhans remember in which magam they will recite the couplets during their performance. The consistency of the 7 journals, which are the subject of the study, will indicate that the performance of mawlid is carried out in terms of master-to-apprentice style and magam structure in general. In addition to comparing the 7 journals we have discussed, the mevlid recordings of Kani Karaca (1930-2004) and Hafiz Mecid Sesigur (1903-1962) were transcribed and their modes were determined using the analysis method based on "melody cores", and the results of 7 journals and two last period performers were transcribed. It is aimed to determine the change of the mevlid, performance in approximately 300 years from a theoretical point of view by comparing all of them in a chart.