Lasting resentfulness of abandoned places

Changes in the historical scene have deeply affected the notion of space. The home space, which has been transformed especially with the effect of industrialization, has been built without considering the individual's desire to stay. The structures built by the domination of rational organizational forms in the modern period can be defined as the places where the existence is located in a part of the divided time. However, space, which is a shell where the subject takes refuge, should serve the instinct of belonging rather than being. Because the individual's belonging is in a constant relationship with the space and this relationship personifies the structure. For this reason, just like the individual, places are also destroyed by the effect of abandonment. Therefore, rationality always has to give way to sensoriality. With this study, while making a reading on the definitions of space developed by the influence of the west and the east, I aim to examine the idle spaces within the scope of art-architecture relationship. While examining the works of the Anarchitecture Group, which has an important place in art history in the context of the art-architecture relationship, I aim to address the importance of abandoned spaces for artists. According to Bergson, there are images stored in the memory and similar to object. For this reason, what we remember through abandoned spaces is reconstructed in our memory in the context of image-memory. I aim to create a narrative language with digital production techniques in the works I produce within the scope of the research. I aim to realize my works by associating the technically reproducible structures of my digital productions with the temporality of spaces.