Antropomorfism in Turkish and world cinema: Investigation of films on animal and human

Cinema has a narrative language that shows the sociological characteristics and lifestyle of the society with the most basic materials. The fact that every society has a different concept of cinema is different from that of positioning animals and people. The position of animal and human in agricultural societies, city life, species and race characteristics varies. This shows that the director's anthropomorphous perspective changes according to the dimensions. Au Hasard Balthazar (1966), Hanim (1988), The Cow (1969), İmdat ile Zarife (1990), The White God (2014) and Sivas (2014) films examined in this study, both in the anthropomorphous perspective and sociological phenomena, discusses how they evaluate people. The analysis of the semiotics model based on Roland Barthes's orthonormal and empirical universe and the humanist, male, child and animal position in human life are examined. In rural films, it is seen that animals and human beings are in the form of owners and property, while in city films, they are associated with friends and family members.