The use of waste objects in art movements from 1960 to today
Is this your thesis?
This record came from a bulk archive import. If it’s yours, link it to your profile.
Abstract (EN)
In the consumer society we live in, all kinds of materials are rapidly consumed, losing their function and becoming waste. This research titled "The Use of Waste Objects in Art Movements from 1960 to the Present" focuses on the relationship between art and material by examining how materials that have lost their functional value are evaluated in contemporary art production. Within the scope of the research, it is seen that the use of waste materials in the field of art emerged with the Cubism Movement in the early 20th century. In addition, art movements after 1960 were examined and the processes up to today's contemporary art understanding were discussed chronologically. The use of waste materials in artistic production has not only transformed the understanding of art as a material, object and medium; it has also expanded the definitional and functional boundaries of art. Many objects that were not designed as works of art have gained an aesthetic value through the creative intervention of the artist and have begun to have the quality of works of art. When the traces of this transformation are examined within the framework of contemporary art practices; the function of waste materials in the creative process has been shaped together with the historical development process of art. In this direction, it is seen that the use of waste materials has eliminated the traditional boundaries between art and daily life. In the study, artists who are engaged in contemporary art at national and international levels were determined; the works of these artists related to the use of waste materials were examined based on written and visual sources. In this context, it was understood that the waste object was transformed from being a mere physical material into a tool through which artists expressed themselves. Finally, personal studies that constitute the processes of addressing the applications related to the subject were included in the thesis and thus the aim of the thesis was achieved.
Author
Özgür Gündüz
Institution
How to Cite
Özgür Gündüz (Master Thesis). The use of waste objects in art movements from 1960 to today, 2025, Van Yüzüncü Yıl Üniversity.
Keywords
License
Tüm Hakları Saklıdır
This work is shared under the specified license terms.
More theses from Van Yüzüncü Yıl Üniversity
- Evaluation of oxidative stress parameters and serum immunoglobulin levels in calves with enzootic pneumonia(2019)
- Fluoroquinolones resistance genes study and bioaccumulation of copper and cadmium by Stenotrophomonas maltophillia isolated from different sources(2019)
- Louise Erdrich ve Toni Morrison eserlerinde postfeminist unsurler(2019)
- The explosion of the solutions of stocastic heat equations(2019)
- The characteristics of reproduction, milk and fleece yield of Tatvan herigi (Hamdani X Akkaraman melezi) sheep raised at rural conditions(2019)
- Comparison of vitamin D, vitamin B12 and TSH levels among individuals wi̇th migren and tension type headache and without migren and tension type headache(2019)
