The Artwork and the viewer in art after 1990 in the context of interactivity

This thesis under the name of "The Artwork and the Viewer in Art After 1990 in the Context of Interactivity", has detected the revealing examples anterior and posterior of the mentioned period in the context of artwork and the viewer considering the capacity of globalization, neoliberalism and internet to alter and transform the period 1990. "Interactivity" which has been taken as participation of the viewer in the creative process has been observed with the starting of Futurist examples. The period of questioning the concepts like ready-made, collage and time which have been affecting the artwork itself and displaying specifications, has caused the emergence of interactive samples artworks within the avant-gardes. The attempts to change the space of artwork in case of exhibiting out of the gallery space are the factors that increase the interactivity. Interactivity has directly been influenced by the improvement in communication, technology and internet. The facilities of big scale exhibition have been increased by the effects of financial support in terms of globalization and neoliberalism. Consequently, interactive artworks have become more brightened and visible. In the first part of the thesis, both, the period of interactivity in art starting from Futurism and Dadaism by the beginning of twentieth century, and the expansion of artwork and space after 1950 have been discussed. The second part has focused on art which has turned out to be a powerful focal point by the developments in communication, technology, sociology, politics and economy after 1990. The interactive art examples which influence actual artworks have been composed reflecting the properties of the mentioned period. Personal practices in the context of interactivity have taken place in the last part. The aim of the practical experience within this scope is to open and enlighten new possibilities for later projects and theoretical applications.