An examination of the works composed in classical forms by cinuçen tanrikorur in terms of lyrics, form and method-meter

In this study, the works composed by Cinuçen Tanrıkorur in classical form were examined in terms of lyrics, form and rhythm-meter aspects. When the studies on the concept of form in the verbal music field of Classical Turkish Music are analyzed, it is pointed out that various definitions were provided, but these definitions repetitive in nature. Therefore, it can be said that the resulting form analysis methods have similar characteristics. It is observed that the main reason for the repetition of these studies and analysis method in the past years is that the melody element in the works is prioritized. In the works in which form analysis was made, the lyrics element was taken as a basis rather than the melody element being prioritized, Prof. Dr. the form analysis method developed by Serda TÜRKEL OTER was used. As a result of the examinations, symmetrical and non-symmetrical structures were formulated and shown in the works composed by Cinuçen Tanrıkorur in classical form, taking into account the relationship of the lyrics with the melody and the form of the analyzed works. It has been observed that there is a generally symmetrical order in the works composed in the forms of Kâr, Kârçe, Beste, Ağır Semâî and Yürük Semâî; It has been determined that works that do not have a symmetrical structure are mostly created as a result of the incomplete use of chants and verses in the lyrics with the melodies. The fact that the lyrics in the works of Classical Turkish Music in the field of verbal music are mostly chosen from the poems of Divan literature emphasizes the importance of the meter element. For this reason, in the examination carried out in terms of rhythm and metre, considering the relationship between rhythm and meter, an analysis method was preferred in which the rhythms used in the works are shown on the rhythm line, and the lyrics and meter patterns corresponding to the rhythms of the rhythm are listed one under the other. As a result of the analyses, it was seen that the symmetrical functioning in the lyric-procedural-meter distributions of the works in the form of Kâr, Kârçe, Beste, Ağır Semâî and Yürük Semâî composed in classical form by Cinuçen Tanrıkorur, which included the sample of the study, was mostly related with the functioning existing in the form structure of the work. In this context, the works analyzed from various aspects aimed to reveal the composition of Cinuçen Tanrıkorur, one of the composers of the 20th century, and the way he processed his works in classical form compared to the understanding of music in the previous centuries; In addition, a look at the classical forms of the 20th century was also identified. The data obtained are explained in detail in the results and recommendations section.