ديوان (عندما يبكي القطا) للشاعر خالد الداحي(دراسة أسلوبية)

The experience of the poet Khaled Al-Dahi in his book (When the Cat Cries) is one of his distinctive experiences that appeared in light of the challenges facing the Iraqi person, to reflect a true picture of the suffering and pain that accompanied him in that period, and it is an experience that acquires its characteristics from the nature of its formation. It has receded greatly in light of the huge amount of prose poems on the one hand, the absence of the reader or the decline of the poetic audience, and the decline in the reception of poetry on the other hand. With special expressive templates, it is as if he paints artistic paintings with sensual and suggestive images at the same time. And if the poetic text of Al-Dahi is characterized by such characteristics, then choosing the descriptive stylistic approach based on statistics and analysis represents the appropriate approach for the study. Because of the appropriate spaces it gives to monitor the poetic phenomenon and the levels of its formation using tables and statistics to reach accurate objective results, so that the study comes out with many results, the most important of which is: that the single word has no value unless it enters within the context of the sentence, as it gives it its existence and its semantic formation, giving it multiple connotations with multiple use, This means that the vocabulary mentioned in the Diwan differs in its meanings according to the use, which creates for each poet his own lexicon. Likewise, the poet drew his pictures in many graphic forms and methods, which he benefited from in shaping his images, which were not mostly traditional or static, but rather bore the poet's imprint. himself, when he forms his images as if he were drawing on a painting with bright, vibrant colors, and at other times he forms new images through contradictions. It was before that through the imagination. As for the metaphor, it gives the image deep interpretive dimensions. The recipient contributes to its formation and finding it. In terms of weight and rhyme, the poet's choice for them stemmed from the emotional formation, which It is later embodied in language and structures, through which music is born.