Analysis of the religious character image in the comedian drama Turkish cinema
2018
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Danışman: Dr. Öğr. Üyesi Tamer Kavuran
Özet (EN)
The transformation of religious images into stereotypes in the cinema takes place in every aspect of our lives. Cinema is one of the indispensable means of propaganda. Because the cinema with the television has the possibility to reach more people at the same time. Due to this characteristic of the cinema, while the religious character image is told to the people, it is often reflected as bad character and negative, The purpose of this study is to explain how religious character image is used to transform the situation in Turkish cinema into typography in cinema works. By starting from this aim, firstly basic concepts related to religion and cinema are discussed. Then religion and the history of cinema process in Turkey, then the reflection of the religious character of the Turkish cinema images were analyzed. For this purpose, films of religious character typed in Turkish cinema during the period of 1970-2015, presentation of religious character type in these films and attitude of Turkish cinema to religion character typed in this information light have been investigated. The analysis of the attitude towards the religious character image of the Turkish cinema according to the 'religious character' or the representation forms of the characters in the films based on the religious character image constitutes the basic basis of this study. Move from here; how religious character images are represented in Turkish cinema, how they show religious character typology, and whether these representations and approaches have changed over time. Within the scope of this study, the sample films investigated in the light of the Turkish cinema are in an attitude that is generally sarcastic to the image of the religious character until the end of the seventies, and is interested in acting in the interests and interests. However, with the decade of 2000, this attitude has not softened and religious images have been represented in the Turkish cinema as "beneficial" (beneficiary, funny, paranoid, etc.) out of religion till 2000s it has come to the conclusion that the religious image of the film which is a religious character has been used by the productions continuing with the negative use of the religious image other than religion,
Yazar
Dr. Ümmü Bozkurt
Bu Yayına Nasıl Atıf Yapılır
Ümmü Bozkurt (Master Thesis). Analysis of the religious character image in the comedian drama Turkish cinema, 2018, Fırat University.
Anahtar Kelimeler
Lisans
Tüm Hakları Saklıdır
Bu eser belirtilen lisans koşulları altında paylaşılmaktadır.
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