Marcel Duchamp and 20.th. art in the postmodern approaches
2010
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Advisor: Doç. Dr. Leyla Varlık Şentürk
Abstract (EN)
In 20th century, Modernism has mentioned itself in art as well as sociology. Based on the modernization origin of French revolution, art movement has also caused some fundamental changes in 20th century and has accelerated considerably. Modernism, as the ongoing impasse with some of this period, was in itself. Example of modern art movements of the period have left behind before, and have adopted elements of the ancient Greek idea of individuation, a modern and innovative style has defended the original one. It's true within the modern art, feding to the point and noting the frequent change-the conversion factor itself has created a structure examined. It also could be called as postmodern thought. Modern art, for example, kitsch, avant-garde was affective with descriptions, but also based on assumptions that have generally been unable to maintain their validity. Looking at historical kitsch, avant-garde is also available. For example Impressionists were the first avant-gardes of their era. Modern art, some of their moves right in line with the results, was ignored. This situation is evaluated by the principle of certainty of Modern Art, and revealed that the post structure, which will examine all the definitions that had been inserted into the circuit. As defined in the style of art and expression, and western art, such as the universality of the act re-examined. Aesthetics, for postmodernism, is not as effective as in Modern Art. Good and bad in modern art, postmodern works based on it doesn?t make any sense. The arbitrariness of this argument can not be taken as the post-modern that the structure was shaken. How to respond to postmodernism with the structure, description and value of art has been toppled. But this is the inevitable to topple the status of modernism. In art, criticism has been different in each period. But in this era of the modern era as a result of an emerging pattern of change was not calculated. Some developing aesthetic theories of universal, individual acts of idealism that inspire individuals the information that was pushed into hunger and accelerated the consumption factor. Information now is in a constant renewal. This information does not exist from nothing, and it?s synthesis art history often indicates the growth in Postmodern era. Until we have that local individuals, it will take you to the true essence. Thus, the diversity will be preserved, meaning the value of the subject itself is multi-functional. And cried out in manifesto sought to be reviewed on the basis of the opinions of local and accurate definition of the phenomenon of literary appreciation will mean much. Universal definition of the style of the local centers will take place. Marcel Duchamp and the 20th century of ready-made objects in early centuries, and we take this discussion of aesthetics has made continuous assessment of course.
Author
Dr. Erkan Esenoğlu
How to Cite
Erkan Esenoğlu (Master Thesis). Marcel Duchamp and 20.th. art in the postmodern approaches, 2010, Anadolu University, Resim Bölümü.
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