Proficiency in ArtOpen Access

The Use of ceramic element in the sculpture art

2000
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Advisor: Prof. Sevim Çizer

Abstract (EN)

The main goal is; using together the works as terracotta that consist of grog and red clay, supported with different elements such as metal, copper and etc. and demonstrating the new impressions. In the formation of perfect fact, looking for the roots of sensation while mentioning the objects being terracotta from the examples of history and feelings are required. Here, that is mentioned, is not the cronological index of statues made of clay or is not to make a historical research. Following the tracks of cultural and aesthetic admiration which shelter in the element clay, that it is important for humanity in reaching itself from the collector - hunter location to the modern community and the desire for learning the things that are the origins of art; expanded the limits of the research. We have watched over the experimentation of different styles and forms in the formation process, the changing and developing of the expression forms during history and the aesthetic anxiety in the production of the objects that prevent the common feels or the needs of culture like idolization. In today's life style, which post - modern development is valid, comprehension and interpretation forms of art have been changed, so all the things can have been done just for art The fairness of art's effect power and the criticism of the way that the formation process has followed, demonstrate themselves in the works that have been done.

Author

Dr. Derviş Ergün

How to Cite

Derviş Ergün (Proficiency in Art Thesis). The Use of ceramic element in the sculpture art, 2000, Dokuz Eylül University.

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