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أثر السياق في تحديد معاني الزيادة على الفعل الثلاثي في القرآن الكريمدراسة تطبيقية على سورة البقرة.
I presented this research because of the importance of the role of context in the diversity of the meanings of triple verbs in the Qur'anic text in general and Surat Al-Baqarah in particular, and divided it into an introduction, four chapters and a conclusion. In the introduction, I addressed the importance of the research, the reason for choosing it, its objectives, the study methodology, previous studies, and the research plan. In the first chapter, I presented (basic issues) for the context, its definition, importance and types, and for the triple verbs and their meanings and importance and relevance to the context, and for Surat AlBaqarah and its virtues. In the second chapter called: (The effect of the context in determining the meanings of the increase on the triple verb more by letter), and the third: (The effect of the context in determining the meanings of the increase on the triple verb more by two letters), and the fourth: (The effect of the context in determining the meanings of the increase on the triple verb more by three letters), presented the more verbs for these formulas, and the number of their occurrence in the surah, and identified their morphological meanings, and then stood on the impact of the context in the meaning of more of them, returning to the books of interpretation and dictionaries. In conclusion, I mentioned the results and recommendations that I reached in my research, documenting the sources and references that I returned to during the research. Keywords: Arabic, context, Quranic context, triple verbs, meaning, increase, connotation, morphological form, surah al-Baqarah.
Oyuklu Köyü Arapça sözlü kültürü
Dil, insanlar arasında iletişi sağlayan canlı bir vasıtadır. Bir yerde insan ve bir sosyal çevre varsa, orada dil var demektir. Değişik nedenlerden dolayı dillerin bünyelerinde farklı lehçeler meydana gelir. Yeryüzünde birçok dilin lehçeleri mevcuttur. Lehçesi çok olan dillerden biri de Arapçadır. Arapça, Arap halkı dışında da konuşulan bir dildir. Başta dinin etkisi olmak üzere değişik kültürlerin Araplarla teması sebebiyle değişik coğrafyalarda ve farklı milletler arasında Arapça hayat alanı bulmuştur. Bu alanlardan biri de Anadolu coğrafyasıdır. Türkiye'de Arapçanın konuşulduğu alanlar arasında Hatay, Siirt, Şanlıurfa, Muş ve Mardin şehirleri gelmektedir. Ancak bu lehçelerin standart Arapçadan sentaks, fonetik ve morfolojik yönden bir hayli uzaklaşmış olduğu görülmektedir. Mardin, Siirt, Muş-Varto ve Diyarbakır bölgeleri; Ḳǝltu denilen Mezopotamya lehçesi olarak bünyelerinde benzerlik barındırmakta iken, Şanlıurfa ve Hatay Arap lehçelerinden farklılık gösterirler. Diyarbakır grubuna giren Oyuklu köyü Arapça lehçesinde saha çalışmasında yaptığımız gözlemler ve çalışmamızda yer verdiğimiz bilgiler esas alındığında bir Ḳəltu lehçesi olduğu ve diğer lehçeler gibi standart Arapçadan farklı bir hâl aldığı görülmektedir. Bu lehçe, kendine has zengin bir kültür birikimine sahiptir. Çalışmamızda söz konusu bu kültürel zenginlikleri de ele aldık. Yazılı kaynak olmadığından mevcut kültürü yansıtmak için katılımlı gözlem, görüşmeler, ses ve görüntü kaydı almak şeklinde yöntem ve tekniklere başvurduk.
ديوان قانصوه الغوري: (بحث ومراجعة)
The research deals with a heritage manuscript of the Mamluk poet and sultan Qansuh al-Ghuri, based on the cognitive need to view the Arab heritage. This study will try to remove from the manuscript the dust of time and the darkness of libraries, by making it possible for them to extrapolate the poetic production in the Mamluk era, although the investigation is the goal so that this extrapolation will help the researcher to produce this manuscript. The researcher will try his best to get the manuscript out for the Arabic library and for the reader in the best way, and for the work to be close to what is hoped for. The research will be in two parts and indexes. The first section, "The Investigation Section," includes the introduction to the investigation, and the Diwan is an investigator. And in it: studying the text and commenting on what is required, translating the flags, and documenting what needs to be documented. The second section includes the study; It contains a general introduction to the Mamluk era, and then an introduction to the poet and his poetic doctrine. The researcher relied on the only copy and its source is the Danish Royal Library. He counted it as the mother copy; Because it is the clearest from a technical point of view when balancing it with the Al-Azhar version, which is likely to have been copied from the Danish original, and various issues were taken into account in the investigation, including: the spelling correction of some errors that occurred from the copyists wherever they were found, and the distribution of poetic texts according to the rhyme, not as it appears in the manuscript, and an explanation In the margins, he covered the vocabulary, and explained the meanings of Sufi and linguistic terms, in addition to the terms related to the science of tones, and documented the Qur'anic verses and the noble hadiths of the Prophet. The Muwashshahs that had a share in the manuscript were not on one topic, but rather their topics were many. In the applied study, the researcher presented the life of the poet and his age from the philosophical and literary point of view in addition to poetry and literary subjects, and he talked about the most important rhetorical phenomena that were mentioned in the office, quotation and inclusion, the most prominent of the Buda'iyyah, and the Sufism that was manifested in divine love and praise, The words are between Standard and colloquial. Then he concluded the research with a conclusion in which he mentioned the most important results he had reached, and the recommendations he recommended.
الانتحال في الشعر العربي من العصر الجاهلي إلى العصر الحديث
The issue of plagiarism in pre-Islamic poetry is one of the important issues that occupied many critics and researchers, ancient and modern, and was the subject of discussion between ancient and modern Arab critics and because of its importance, critical books were filled with it. The purpose of this research is to stand at the phenomenon of plagiarism in the ancient Arab criticism of pre-Islamic poetry, the origin issue of plagiarism, explain it from its roots, and compare the opinions of ancient scholars, orientalists, and modernists on this literary phenomenon. We talked about the emergence of ancient Arabic poetry in its various stages, then we talked about plagiarism and poetic theft through the aesthetic of intertextuality and its relationship to literary theft. We discussed plagiarism among the ancient and modern Arab critics and orientalists as well as absolved pre-Islamic poetry of plagiarism by responding to the allegations of orientalists and their followers. We talked about plagiarism in the modern era through technology and social media, the reasons for its spread and its effects on the quality of scientific research, and how to address these scientific thefts in our modern era. We concluded the research with the research results and recommendations that limit the spread of plagiarism phenomenon. Keyword:Poetry, Arabic poetry, pre-Islamic period, plagiarism, poetry criticism.
استقبال الأدب التركي الحديث في الوطن العربي
The research discusses the topic of receiving modern Turkish literature in the Arab world, and monitors that reception process, starting with the "Tanzimat era," that is the second half of the nineteenth century, which we adopted as the beginning of modern Turkish literature until now. The study includes the reception process through two tracks: the track of translation, and the track of critical research and studies, where we tried to monitor the Turkish literary works that have been translated into Arabic since that date so far. In addition to the research and critical studies that were written about Turkish literature and its pioneers. The research consists of an introduction, six chapters, results, recommendations, and a conclusion. The first chapter provides an overview of the history of Turkish literature from its inception to the modern era. The second chapter introduces the theory of receiving and critical reception, its most prominent concepts and its most famous pioneers. The third chapter monitors the role of translation in the reception of modern Turkish literature in the Arab world. As for the fourth chapter, it talks about the reception of modern Turkish poetry in the Arab world, and the Turkish poet Nazim Hikmat takes as a model for that reception. The fifth chapter talks about the reception of the Turkish story and takes the writer Aziz Nissen as an example. The sixth and final chapter discusses the reception of the Turkish novel and takes the novelist Orhan Pamuk as an example. The research concludes with a set of results and recommendations, and then with a conclusion that gathers up and summarizes the ideas of the topic. The approach followed in the research is the method of receiving, which focuses more on the "recipient" as a receiver of literature, and one of the three elements in the creative literary process (author - literary work - receiver). Since the research monitors the process of receiving Turkish literature in another environment people, and language, receiving is the most appropriate method for the study and serving its requirements.
الضرورة الشعرية في شعر أبي العتاهية
will be filled The study of poetic necessity is a matter of linguistic studies, because it is based on the judgments that occur in Arabic poetry that contradict the rules of grammarians and Arabic grammar. There are many grammarians who have different methods in the rules of grammar and in their construction, which led to the difference of their opinions in many forms and aspects of necessity. Some see it as a necessity, while others see the opposite. Therefore, I preferred to show that the study of poetic necessity is one of the doors of linguistic studies, and not from the doors of Arabic rhetoric. This is what my research and study of this aspect will be based on.This study aimed to introduce the poet Abu al-Atahiya, his literary and poetic status, as well as the concept of poetic necessity, its definition and the opinions of scientists in it, and then to study the multiple types of poetic injuries in Abu al-Atahiya's poetry.In order to achieve this, I relied on the use of the descriptive method, which aims to collect scientific material from the poet Abu al-Atahiya's diwan, in addition to using the analytical method, to stand on the poetic injuries in Abu al-Atahiya's poetry, and to interpret and analyze them, and to detail the opinions of grammarians in them, to serve the nature of the topic and research scientific. Key Words: Poetic necessity, Abu al-Atahiya, Arabic poetry.
صورة المرأة لدى الروائيات السوريات المهاجرات 2011 ـ 2021
The study tackled the image of the Syrian woman which was reflected in the works of Syrian immigrant women novelists in the past ten years. It also considered the changes in the behaviour and perspective of Syrian women because of the major transformations that occurred in the Syrian society due to the Syrian revolution. The factors that prompted Syrian women novelists to search for the image of the Syrian woman in their own works differ from one another. The studies conducted in the early years of the revolution are different from those conducted in the years that followed. Syrian immigrant women novelists studied the case of women using new techniques. All of these issues framed the Syrian war narratives written by Syrian women who have matured under the influence of war and gained a new awareness and perspective.
التغير الدلالي للألفاظ العربية في اللغة التركية
In this thesis, the researcher traces the Arabic words that have entered the Turkish language and are used by the Turks with different meanings from their original Arabic connotations. After taking a historical look at the roots of the Arabic and Turkish languages and the extent of their interaction with each other over the years, the researcher monitored the changes in the Arabic words in the Turkish environment and the subsequent expansion, narrowing, and transition. These semantically changed words are accumulated within this thesis, then the Arabic meaning is compared to the meaning of the word in the Turkish language. This change is analysed and the reached results and conclusions are recorded. Keywords: Arabic language, Turkish language, semantic change, narrowing of meaning, expansion of meaning.
İsâmüddîn El-İsferâyînî'nin Nahiv yönü ve metodoloji açısından ʿİṣâm ʿAle'l-câmî adlı eserinin incelenmesi
İslâm'ın erken dönemlerinden itibaren Müslüman âlimler Kur'an dili olan Arapça'ya sahip çıkarak büyük önem atfetmiş ve her zaman onu ileriye taşımayı hedeflemişlerdir. Bunun neticesinde İslâm tarihi boyunca her dönemde pek çok dilbilimci yetişmiştir. Bunlar, birbirinden kıymetli çok sayıda eser telif etmişlerdir. Bu vesileyle de Arapçanın gelişiminde büyük katkılar sunmuşlardır. 'İsâmüddîn el-İsferâyînî dil alanında kaleme aldığı çalışmalarıyla ün yapan söz konusu dilbilimcilerden birdir. Çalışmamızda İsferâyînî'nin Nahiv yönünü ve ʿİṣâm ʿale'l-Câmî adlı eserindeki metodunu inceledik. Bu kapsamda çalışmamızı giriş ve iki bölüm olarak planladık. Girişte tezin konusu, amacı, tezde izlenen metot ve tezin kaynakları gibi bilgilere yer verdik. Birinci bölümde İsferâyînî'nin hayatı ilmi şahsiyeti ve nahvi yönüne temas ettikten sonra kendisinin ve ʿİṣâm ʿale'l-Câmî adlı eserinin nahiv ilmindeki önemine değindik. İkinci bölümde İsferâyînî'nin sözü edilen eserindeki metodunu belirtmeye çalıştık. Bu bağlamda onun ifadeleri açıklama tarzını, ihtilaflı meseleleri ele alış üslubunu ve eleştiri metodunu örneklerle izah etmeye çalıştık. Anahtar Kelimeler: 'İsâmüddîn el-İsferâyînî, ʿİṣâm ʿale'l-Câmî, Nahiv, Metod.
جماليَّات التَّقديم والتَّأخير في شعر إيليا أبو ماضي (ديوان الخمائل أنموذجاً)
The research examines a well-known phenomenon in the Arabic language, and common among grammarians and rhetoricions which is the phenomenon of (hysteron proteron), and I don't exaggerate if I suggest that it is one of the most common phenomena in the speech of Arabs. The subject of the research is to clarify the aesthetics of this phenomenon and observe it in Ellia Abi Madi's Diwan (Al-Khamael) The research revolves around three chapters: The first one will discuss hysteron proteron, the aesthetics of hysteron proteron, the life of Abu Madi along with his poetry and the ending of Diwan (Al-Khamael). The second one will explore the hysteron proteron phenomenon according to what grammarians and rhetoricions presented in their books. I classified the grammarians into two types: modern grammarians and ancient ones. I put into consideration the chronological order. I started with the ancients discussing first Al-Khalil Ibn Ahmed Al-Farahidi,and then Sibaweh and lastly Al-Zamkhashri. Most of the argument presented by the ancients approved of hysteron proteron having in mind the meaning of concern and dedication. As for the modernists, I chose only three: Fadil Al-Samurraei, Tammam Hassan, and Muhammed Abdul Latif Hamasa. We have seen the development of meanings approached by modern grammarians influenced by rhetoricions. I also classified the rhetoricians in this way, so I started with the ancient rhetoricians. Al-Jarhani was the first one with whom I opened this section because the science of rhetoric began with him, followed by Ibn al-Atheer, and we will see in the research how meanings and aesthetics developed among them. From the modernists, I chose Muhammed Abu Musa and Muhammed Abdul Mutalib, and we will see in their presentation what is useful inshallah. The third: we observed the evidence presented in the Diwan with regard to necessity and permissibility in the chapter. The chapter will also study Diwan (Al-Khamael) according to this phenomenon with regard to permissibility. It will also reveal the aesthetics that exist and result from this phenomenon according to the text and to what we read in the books of the grammarians and rhetoricions. This study will provide a clear picture of this recurring phenomenon in the styles of Arabs, and its purpose is to inform the reader of aesthetics and introduce him to them and to their sources which result from the hysteron proteron phenomenon. It will also make him able to understand the hidden meanings in Arabic speech in general and poetry in particular. Keywords: grammar, rhetoric, aesthetics, hysteron proteron, Ellia Abu Madi.
Harputlu İshak Efendi'nin hayatı ve Risâle-i Suâl ve Cevâb adlı eserinin transkripsiyonu, tahlil ve tenkidi
Harput bölgesinde birçok önemli âlim yetişmiş olup söz konusu bölge ve çevresinde farklı alanlarda faaliyetlerde bulunmuşlardır. Bu çalışmamızda Harput'umuzun önemli âlimlerinden olan, 1803 yılında dünyaya gelen Harputlu İshak Efendi'nin; hayatını, eserlerini ve Arap dili ve edebiyatına olan katkısını inceleyeceğiz. Harputlu İshak Efendi'nin kaleme aldığı Risâle-i Suâl ve Cevâb adlı eserinin transkripsiyonunu ve tahlilini yapacağız. Risâle-i Suâl ve Cevâb adlı eser; geçmişten günümüze kadar medreselerde sarf ve nahiv alanlarında okutulan Emsile, Binâ, Maksûd, İzzî, Avâmil, İzhâr ve Kâfiye eserlerini kapsamaktadır. Bu eser, sarf ve nahiv dışında mantık alanında da kaleme alınan önemli bir eserdir. Biz, müellifin Arap dili ve edebiyatına olan katkısını inceleyeceğimizden dolayı sadece sarf ve nahiv bölümlerini ele alacağız. Çalışmamız giriş ve üç bölümden oluşmaktadır: Birinci bölümde müellifin hayatını ve eserlerini inceleyeceğiz. İkinci bölümde eserin tahlilini, üçüncü bölümde eserin transkripsiyonunu yapacağız. Tahlil bölümünde öncelikle eserin genel tahlilini yaptık. Akabinde eserin bölümlerinin birbirinden bağımsız olarak tahlillerini yaptık. Anahtar Kelimeler: Arap Dili ve Edebiyatı, sarf, nahiv, Harputlu İshak Efendi
تحقيق مخطوط شرح منظومة وسيلة الإصابة في صنعة الكتابة
First of all, I had to introduce the author Ibn Khatib Al-Dahsha, then introduce his sheikhs, students, and his writings, then to the book (Sharhu Wesylati Elisaba Fi Sanati Elkıtaba), and my methodology in its investigation, as I documented his attribution to his author, and indicated his methodology that he followed in his book, and the confiscation from which he drew his scientific material, and more quotations from it, in addition to introducing the manuscript copies that I reached. My work in the investigation is to highlight the book as wanted by its author or as close to the image wanted by the author, so I chose the original copy and then compared it to the rest(others) of the copies with reference to the resources of the workbook and extracting the Qur'anic verses, the hadiths of the Prophet and poetic evidence, and documenting the sayings of the prominent scholars and translating them with the interpretation of what is between them and the control of what constitutes of the words. In his compilation and explanation, the author deals with the science of spelling and calligraphy in ninety-six verses, starting with an introductory introduction, then four chapters: the first: on connection and disconnection (separation). The second: deletion. And the third: to increase. And the fourth: in allowance. Under each chapter are chapters and issues, the author employed sayings, evidences and examples for them in a wonderful (essential) manner, then concluded with a conclusion in dots and formation. The author presented a scientific rooting (foundation) of Arabic dictation, based on the value of grammarians, and the writing of prosody, with his comparison of that to the drawing of the Qur'an, so that his book became full of benefits and a great treatise, despite its small size and easy (smooth) expression.