Interior view in 19. and 20. century painting

Since the periods before the BC, The priority of the human being has always been in the structure, aesthetically focused. The reason for this, as we give examples from prehistoric times, is that human beings find feeling of trust with the instinct of asylum. Based on the example whom we called as hero 'Herostratus' temple of Artemis, it was mentioned that the places where the spaces were located triggered the power of thought and sometimes served as a hero and sometimes served a perception of spiritual space. With the help of Semiotics, if we are to open the research to examine the position of the place in artist life; The works of artists related to the interior vary according to various reasons. In this study, especially in some of the movements varying according to the living conditions, the artist's point of view is examined in detail. In this study, which was created by analyzing many art movements from the 19th century until the 20th century, and exemplified by many images, it has been suggested that Eastern mysticism had devoloped the sensitivity of Orientalism. Romanticism reached its peak with its emotionality and subjectivity and that it was crowned by the Symbolism movement. Also, Pre-Raphaelite, Art Nouveau, Danish School Artists, Nabis, Post Impressionism, Expressionism and New Objectivism were prominent with their spiritual themes in their interior space artworks. It has been observed that all these art movements and and art formations have focused to the interior spaces in Painting Art. In the process until the 20th century, squares, streets and structures shaped by social, political and cultural developments were heavily influenced by the industrial revolution and World wars, and were reflected in the works of the artists of the world nations in a mechanical way.